Interview with Julius Arth

Featured

By Anita Malhotra

Italian DJ and electronic music producer Julius Arth
Italian DJ and electronic music producer Julius Arth

Born and based in Italy, Julius Arth is a 27-year-old DJ and electronic music producer whose music is a blend of dance and tech house.

Starting his electronic musical journey as a teenager, he went on to study electronic music online and at the SAE Institute Milano, while also completing a master’s degree in sports sciences.

He released his first single, “How We Party,” in 2020 on Gas Records. Since then, he’s gone on to produce many exciting tracks that highlight his passion for sound design.

These include Play Hard” (Blanco y Negro Music), “Game of Life” (Fankee), “Heart for You” (Ensis Records) and “Artifex.” 

As a DJ, Julius has performed at clubs and events in Amsterdam, Ibiza, Italy and London, including three times at London’s iconic Ministry of Sound, where he supported such artists as Nicky Romero and Julian Jordan.

He recently returned from Amsterdam Dance Event (ADE), where he performed twice and was interviewed by Nexus Radio for the second consecutive year. 

Julius Arth at the Vybe Club on April 24, 2024 as part of IMS (International Music Summit) Ibiza
Julius Arth at the Vybe Club on April 24, 2024 during IMS (International Music Summit) Ibiza

Julius spoke with EDM Beat on Nov. 6, 2024 from his home in Italy. 

EDM Beat: Can you tell me a bit about your early years?

Julius: I was born in Milan, which is a far bigger city than the one I’m living in at the moment. I live in Vercelli, which is a small town halfway between Turin and Milan in the north of Italy. I have lived here since I was a child. 

I found myself interested in music when I was six or seven. I started playing the piano and the keyboard and continued taking piano lessons in classical music for eight years.

Then, I was looking for something more exciting. And in 2012, 2013, when the classical EDM songs popped out –  artists like David Guetta, Swedish House Mafia – I was listening to their songs.

Julius Arth at the age of 7
Julius Arth at the age of 7

After one year, where I took lessons both on drums and sound designing, I started making my own music and playing at home with a small controller. That was before getting my first gigs. I had my first gig when I was 17.

Continue reading

Interview with Davis Mallory

Featured

By Anita Malhotra

Nashville-based singer-songwriter Davis Mallory
Nashville-based singer-songwriter Davis Mallory

Nashville-based singer-songwriter and DJ Davis Mallory first came into the public eye as a reality TV star on the MTV show The Real World.

Becoming a singer-songwriter was his lifelong dream, and after several years working in New York City as a music journalist and for an EDM record label, he launched his career and moved to Nashville. 

Cover of the 2017 release "Anyone Would Know
Cover of the 2017 release “Anyone Would Know

An early highlight was when his single “Anyone Would Know” was remixed by Swedish DJ John Dahlbäck and released in 2017 by Armada Records.

Since then, DAVIS has released dozens of other successful songs and music videos, and his songs have received millions of streams on Spotify, SoundCloud and other platforms. 

Davis took time out from his busy schedule to speak to EDM Beat on Dec. 22, 2023 about his life and career.

Davis at TEN Music Group for a recording session
Davis at TEN Music Group for a recording session

EDM Beat: Hi Davis. Can you tell me about “FA LA LA LA,” the song you released recently?

Davis: In 2022 I was visiting my cousins who live in Sweden (my mom is Swedish). 

Over a cozy Christmas dinner, they knew I had a songwriting session the next day in Stockholm, so they encouraged me to write a Christmas song.

Up until that point in time, I had been working with the same producer, and we’d written five or six pop, catchy songs.

So asking him to write a Christmas song was a curveball. I was like, “What do you think of writing a Christmas song?” And he’s like, “Okay, let’s do it.” 

Continue reading

Amsterdam Dance Event 2023

Featured

By Anita Malhotra

This year, I attended Amsterdam Dance Event (ADE) for the first time.

I’d been going to EDM events for a while and this seemed like a great way to learn more about the genre and have fun at the same time.

Felix Meritis, the main conference venue for ADE
Felix Meritis, the main conference venue for ADE

All in all it was an amazing experience. I got a close-up view into EDM, met lots of interesting artists and people in the industry, and heard tons of great music.

ADE also was the inspiration for launching this site, allowing me to meet enough people to set up my first interviews.

Here are some photos I took at the events I attended. To see all the photos, click on the right arrows or swipe left if you’re on a phone.

DAY 1: Oct. 18, 2023

  • ADE attendees
  • Christina Theodoropoulou, Mirjam Mollema, Emmy Lovell and moderator Kristin Schrot
  • Publishing panel with moderator Christian Svenningsen, Edith Severs, Josh Gregg and Marc Zwart
  • Adam Beyer in conversation with Renske van Kollenburg
  • The Networking Lounge at Felix Meritis
  • Hardwell poster from a concert earlier in the year
  • Martin Kohlstedt at the Melkweg
  • Funkin Matt warming up for Oliver Heldens at the Melkweg
  • DJ creating a buzz before Oliver Heldens
  • DJ warming up for Oliver Heldens
  • Oliver Heldens
  • Oliver Heldens and fans

Day 2: Oct. 19, 2023

  • Connie Chow, Cohen Calkhoven, Henri Lessing , Mathieu Rousselot and moderator Jennifer Feaster
  • Afrojack interviewed about his career by Lorne Padman (right), with Rowan Zechiel
  • Dr. Paul J. Zak, Dr. Alexander Genevsky, Bibi Kor and moderator Lorne Padman in a panel on AI
  • Claptone in his first ever live interview, with Danny Howard (BBC)
  • Autographed items outside the Nexus Lounge in the Zoku Amsterdam hotel
  • Photographers and artists in the Nexus Lounge
  • Davis Mallory (left) in an interview in the Nexus Lounge

Day 3: Oct. 20, 2023

  • Dimitri Vegas with Ole Obermann on the panel "TikTok: Essential Insider Knowledge"
  • Dimitri Vegas
  • Armin van Buuren, Nadine van Bodegraven and Maykel Piron with animator Renske van Kollenburg
  • Armin van Buuren
  • Spiral staircase at Felix Meritis
  • Laidback Luke and Anne Löhr with animator Renske van Kollenburg
  • Laidback Luke

Day 4: Oct. 21, 2023

  • Illenium (centre) and Steve Bartels (left) in conversation with Pay Kolmüs
  • Illenium
  • Moderator Jeroen van Trierum (left) with Hubrecht Hauzer, Joost Aanen and Oscar Kriek in a panel on data
  • Grandmaster Flash in conversation with Charisa Chotoe
  • Grandmaster Flash
  • Merow at RAI Amsterdam warming up for Martin Garrix
  • NUZB warming up for Martin Garrix
  • Fans at RAI Amsterdam with NUZB on stage
  • Martin Garrix
  • Martin Garrix
  • Martin Garrix

Day 5: Oct. 22, 2023

  • Poster for a new album by Reiner Zonneveld
  • Reinier Zonnefeld at the Ziggo Dome in a 10-hour ADE B2B special by Awakenings
  • Fans at the Ziggo Dome
  • Reinier Zonneveld B2B with Space 92
  • Fans
  • Reinier Zonneveld with Adam Beyer
  • Reinier Zonneveld with Nina Kraviz

“Popcorn” – The world’s first electronic pop hit

Featured

By Anita Malhotra

In 1972, a unique-sounding pop tune hit the airwaves.

The bouncy and quirky single, titled “Popcorn” by Hot Butter, soared up the charts, selling over two million records worldwide. It reached no. 1 in France, Germany, Switzerland, Norway, the Netherlands and Australia and charted in the US, Canada and the UK, among other countries.

It’s easy to understand why it was such a hit: it was simple and catchy, and its futuristic sound was unlike anything else on pop radio at the time.

The 1972 hit version of “Popcorn” by Hot Butter

Despite seemingly coming out of nowhere, the tune was not an original, but an arrangement of an electronic novelty piece first recorded in 1969 by a German-American composer named Gershon Kingsley.

Gershon Kingsley
Gershon Kingsley

Born in Germany in 1922, Kingsley, who was half-Jewish, left the country as a teen in the 1930s due to the rise of the Nazis. He moved first to Palestine and then to the United States. There he became a conductor, arranger, composer and Broadway musical director.

In 1969, he met the engineer Robert Moog, who had invented the Moog synthesizer five years earlier. Kingsley fell in love with the Moog and its sound. Buying one for $3,500, a huge sum of money at the time, he put together the album Music to Moog By, mainly arrangements of existing songs like Fur Elise, Twinkle Twinkle Little Star and Nowhere Man by the Beatles.

Hidden away as the fifth track on the album is “Pop Corn.” Kingsley hit upon the melody by improvising and has said that it took him only five minutes to compose the melody.

The original 1969 version of Popcorn

Shortly after, Kingsley formed the First Moog Quartet, the first group ever to perform electronic music at Carnegie Hall. The quartet went on to release an album of live Moog concerts as well an updated version of “Pop Corn.”

It was one of the quartet members, jazz musician Stan Free, who turned the First Moog Quartet’s version into a hit, re-recording it in 1972 with his aptly-named band Hot Butter.

Hot Butter, fronted by Stan Free
Hot Butter, fronted by Stan Free

The hit version is bubblier and more danceable than the original, tweaks the main melody slightly, and adds a back beat and bridge section.

The popularity of “Pop Corn” led to countless covers, including by Jean Michel Jarre, who recorded it in 1972 under the pseudonym Pop Corn Orchestra and Jammie Jefferson. He would later use part of Popcorn’s main theme as inspiration for his hit “Oxygène Part IV” (1987), which was remixed two years later for the music video “The Penguins Return.”

The tune was even used in the video game Pengo as well as numerous ads (including for popcorn). And some notable covers include those by M & H Band (1987), the Boomtang Boys (1998), Aphex Twin (2002), Crazy Frog (2005) and Muse (2010). And in 2022, Tove Lo sampled it and added lyrics to it in her song “2 Die 4.”

Kingsley died in 2019 at the age of 97, but “Popcorn” is still going strong, enshrined in its various incarnations, for better and for worse…

For more about “Popcorn,” check out this Wikipedia article or this comprehensive list of all versions.